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Foreword
Micro…Micro…
Information
Beauty of Chinese and Western Paintings in Liu Dawei and Linde's Joint Exhibition
CMA Delegation Participated in Traditional Chinese Music Concert in HK
Turkish National Theatre Delegation Visited China
CQAA Art Troupe Visited Australia and New Zealand for Exchange
CPA Delegation Visited Cambodia, India and Nepal
CCA Delegation Conducted Exchange in Taiwan
Cover Article
West Kowloon——Hong Kong’s Cultural Landmark
Xiqu Centre: Where it all begins…
M+: Art Plus
Mao Junhui: To Promote A Complete Art Image of Hong Kong
Hong Kong Literature in Tao Ran’s Eyes: Well-preserved Cultural Bond
How Are We to Tell The Story of Hong Kong People?——the Unique Feature of Hong Kong Literature
Topic
Design Frees Equality out of Barrier
Observation
Significance and Discovery of Re-visiting Art Museums’ Collections
Focus
Masterpieces of “Nature in Western Art” of Metropolitan Museum of Art
Impressionist Designing and Handwriting
Developments
Chinese Anime Go West
China Cultural Exports More Than $20 Billion in 2012
Xu Hongfei Sculpture Exhibition shows Epic of Civilian
Masters
The Scholarly Artist——“Actor Yu Shizhi”
Bygones
Memory of Agnes Smedley's “Residence” in China
Savor Painting
Paintings with Temperance,Significance and Poetic Habitation——Landscape Paintings of Famous Artist Zhao Wei
Cultural Industry
China, the Second Largest Film Market in the World
LOOK AT THE WORLD
New Year's Celebrations Around the World
卷首語
微觀再微觀
資訊
劉大為林德作品共展中西之美
中國音協(xié)代表團赴港參加民樂名家名曲音樂會
土耳其國家劇院代表團訪華
中國曲協(xié)藝術(shù)團赴澳洲交流
中國攝協(xié)代表團訪問柬埔寨印度尼泊爾
中國書協(xié)代表團赴臺交流
封面文章
“西九”, 做香港文化版圖上的地標
一切從“戲曲中心”開始
M+:視覺藝術(shù)“多一點”
毛俊輝:推廣完整的香港藝術(shù)形象
守望香江,一條從未中斷的文化根脈
港人故事,如何言說——香港文學的獨特風貌
專題
設(shè)計,讓平等無障礙
藝文觀察
重讀美術(shù)館藏品的意義與發(fā)現(xiàn)——記中國美術(shù)館“群珍薈萃”展覽
聚焦
大都會收藏的“道法自然”
印象派的設(shè)計與筆跡
動態(tài)
中國漫畫昂古萊姆“西游”記
2012年中國文化產(chǎn)品出口逾200億美元
許鴻飛雕塑展現(xiàn)“平民史詩”
名家
學者型藝術(shù)家——“演員于是之”
往事
史沫特萊“定居”中國的記憶
品畫
蘊藉雋永,詩意棲居的繪畫——著名畫家趙衛(wèi)的山水畫
文化產(chǎn)業(yè)
中國成世界第二大電影市場
看世界
全世界一同迎接新年的到來
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